The expectation for the 96th Academy Awards (Oscar Nominations) is arriving at a crescendo as Hollywood plans to respect remarkable accomplishments in filmmaking at the Dolby Theatre in Ovation Hollywood on Sunday, March 10, 2024. The function, devoted to perceiving motion pictures delivered in 2023, vows to be an exhibition of glamour, excitement, and festivity.
Table of Contents – Oscar nominations
A Shift Towards Variety and New Viewpoints
Expanding on the momentum of the 2023 Oscars, the 2024 nominations mirror a much needed development in the industry, with an emphasis on different classifications and stories. This shift is obvious in the movies named, proposing a more comprehensive and sweeping way to deal with narrating.
Standing out: “Oppenheimer” Prediction
Beating the rundown of nominations is “Oppenheimer,” a film that has gotten a noteworthy 13 nominations and is situated as a leader in a few significant classes, including Best Picture. Coordinated by the visionary Christopher Nolan, “Oppenheimer” vows to enamor crowds with its convincing storyline and remarkable performances.
Notable OSCAR Nominations Across Categories
Best Picture
- “American Fiction”
- “Anatomy of a Fall”
- “Barbie”
- “The Holdovers”
- “Killers of the Flower Moon”
- “Maestro”
- “Oppenheimer”
- “Past Lives”
- “Poor Things”
- “The Zone of Interest”
Actor in a Leading Role
- Bradley Cooper in “Maestro”
- Colman Domingo in “Rustin”
- Paul Giamatti in “The Holdovers”
- Cillian Murphy in “Oppenheimer”
- Jeffrey Wright in “American Fiction”
Actor in a Supporting Role
- Sterling K. Brown in “American Fiction”
- Robert De Niro in “Killers of the Flower Moon”
- Robert Downey Jr. in “Oppenheimer”
- Ryan Gosling in “Barbie”
- Mark Ruffalo in “Poor Things”
Actress in a Leading Role
- Annette Bening in “Nyad”
- Lily Gladstone in “Killers of the Flower Moon”
- Sandra Hüller in “Anatomy of a Fall”
- Carey Mulligan in “Maestro”
- Emma Stone in “Poor Things”
Actress in a Supporting Role
- Emily Blunt in “Oppenheimer”
- Danielle Brooks in “The Color Purple”
- America Ferrera in “Barbie”
- Jodie Foster in “Nyad”
- Da’Vine Joy Randolph in “The Holdovers”
Animated Feature Film
- “The Boy and the Heron”
- “Elemental”
- “Nimona”
- “Robot Dreams”
- “Spider-Man Across the Spider-Verse”
Cinematography
- “El Conde”
- “Killers of the Flower Moon”
- “Maestro”
- “Oppenheimer”
- “Poor Things”
Costume Design
- “Barbie”
- “Killers of the Flower Moon”
- “Napoleon”
- “Oppenheimer”
- “Poor Things”
Directing
- “Anatomy of a Fall” – Justine Triet
- “Killers of the Flower Moon” – Martin Scorsese
- “Oppenheimer” – Christopher Nolan
- “Poor Things” – Yorgos Lanthimos
- “The Zone of Interest” – Jonathan Glazer
Documentary Feature Film
- “Bobi Wine The People’s President”
- “The Eternal Memory”
- “Four Daughters”
- “To Kill a Tiger”
- “20 Days in Mariupol”
Documentary Short Film
- “The ABCs of Book Banning”
- “The Barber of Little Rock”
- “Island in Between”
- “The Last Repair Shop”
- “Nǎi Nai & Wài Pó”
Film Editing
- “Anatomy of a Fall”
- “The Holdovers”
- “Killers of the Flower Moon”
- “Oppenheimer”
- “Poor Things”
International Feature Film
- “Io Capitano” (Italy)
- “Perfect Days” (Japan)
- “Society of the Snow” (Spain)
- “The Teachers’ Lounge” (Germany)
- “The Zone of Interest” (United Kingdom)
Makeup and Hairstyling
- “Golda”
- “Maestro”
- “Oppenheimer”
- “Poor Things”
- “Society of the Snow”
Music (Original Score)
- “American Fiction” – Laura Karpman
- “Indiana Jones and the Dial of Destiny” – John Williams
- “Killers of the Flower Moon” – Robbie Robertson
- “Oppenheimer” – Ludwig Göransson
- “Poor Things” – Jerskin Fendrix
Music (Original Song)
- “The Fire Inside” from “Flamin’ Hot” – Diane Warren
- “I’m Just Ken” from “Barbie” – Mark Ronson and Andrew Wyatt
- “It Never Went Away” from “American Symphony” – Jon Batiste and Dan Wilson
- “Wahzhazhe (A Song for My People)” from “Killers of the Flower Moon” – Scott George
- “What Was I Made For?” from “Barbie” – Billie Eilish and Finneas O’Connell
Production Design
- “Barbie”
- “Killers of the Flower Moon”
- “Napoleon”
- “Oppenheimer”
- “Poor Things”
Animated Short Film
- “Letter to a Pig”
- “Ninety-Five Senses”
- “Our Uniform”
- “Pachyderme”
- “War is Over! Inspired by the Music of John & Yoko”
Live Action Short Film
- “The After”
- “Invincible”
- “Knight of Fortune”
- “Red, White and Blue”
- “The Wonderful Story of Henry Sugar”
Sound
- “The Creator”
- “Maestro”
- “Mission Impossible – Dead Reckoning Part One”
- “Oppenheimer”
- “The Zone of Interest”
Visual Effects
- “The Creator”
- “Godzilla Minus One”
- “Guardians of the Galaxy Vol. 3”
- “Mission Impossible – Dead Reckoning Part One”
- “Napoleon”
Writing (Adapted Screenplay)
- “American Fiction” – Cord Jefferson
- “Barbie” – Greta Gerwig & Noah Baumbach
- “Oppenheimer” – Christopher Nolan
- “Poor Things” – Tony McNamara
- “The Zone of Interest” – Jonathan Glazer
Writing (Original Screenplay)
- “Anatomy of a Fall” – Justine Triet and Arthur Harari
- “The Holdovers” – David Hemingson
- “Maestro” – Bradley Cooper & Josh Singer
- “May December” – Samy Burch
- “Past Lives” – Celine Song
Closing Thoughts – Oscar Nominations
As the world enthusiastically anticipates the 2024 Oscar Nominations, the selections recommend a different and cutthroat setup of movies and exhibitions. With “Oppenheimer” standing out, the service vows to be an evening of festivity and acknowledgment for the gifted people who have added to the sorcery of film
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